Comparing the Characters of The Stranger (The Outsider) and The Trial :: comparison compare contrast essays

Characters of  Camus’ The Stranger (The Outsider) and  Kafka’s The Trial    The characters of the chaplain, in Albert Camus’ The Outsider, and the priest, in Franz Kafka’s The Trial, are quite similar, and are pivotal to the development of the novel. These characters serve essentially to bring the question of God and religion to probe the existentialist aspects of it, in novels completely devoid of religious context. The main idea visible about these two characters is that they are both the last ones seen by the protagonists, Mearsault and K., both non-believers in the word of the lord. Whereas the chaplain in The Outsider tries to make Mearsault believe in the existence of god, the priest tries to warn and explain to K. what will happen to him. The reason the chaplain is the last one to see Mearsault is becasue it’s his job to let the prisioners have a final shot at redemption before they are executed. The reason that K. meets with the priest is out of advice given to him by someone, and he is the last character that he shows K. interac ting with (although it might be true that K. meets and interacts with other people after the meeting, but they are neither mentioned nor visible later on). The priest doesn’t try and make K. confess or anything of the sort, he is mainly there to converse with the character, his religious position is almost put to no use. The existentialist view of religion is that humans have been alienated from god, from each other, and so forth. In the novel Crime and Punishment, by Fyodor Dostoevsky, the christian idea of salvation through suffering is omnipresent throughout the novel. What is visible with The Trial and The Outsider is that they don’t touch on the aspect of religion much throughout the story (The Outsider has bits and pieces of it appearing in his cross examinations but they are used more to mock than in an analitical sense). The presence of these two characters at the end of the novel serves to cover all the existentialist areas known to existemtialists (although i t is doubtful whether the authors consciously attempted to make the character’s present because of any existentialist rules they had to follow). The characters are required to structure the novels, beside the obvious existentialist areas.